I’ve been a sci-fi and fantasy fan ever since my childhood when I thought looking for spaceships and dragons in the night sky was just a normal kid nightly activity and not, you know, fiction. When seeking stories for my anthology City of Weird, I reached back into my childhood obsession with all things out of or beyond this world, but I found that I wanted tales that took my favorite themes and slanted them. Went to unexpected places, not only in time and space, but also in theme and approach. Like these five books, which I hope you will enjoy.
City of Weirdconjures what we fear: death, darkness, ghosts. Hungry sea monsters and alien slime molds. Blood drinkers and game show hosts. Set in Portland, Oregon, these thirty stories blend imagination, literary writing, and pop culture into a cohesive weirdness that honors the city’s personality, its bookstores and bridges and solo volcano, as well as the tradition of sci-fi pulp magazines. Including such authors as Rene Denfeld, Justin Hocking, Leni Zumas, and Kevin Sampsell, editor Gigi Little has curated a collection that is quirky, chilling, often profound—and always perfectly weird.
The Compass Rose is certainly less well-known than many other Ursula K. Le Guin books, but I think it’s a fantastic example of a book that takes you to unexpected places. It’s a fascinating and varied collection, but my favorite piece by far is “The Author of the Acacia Seeds and Other Extracts from the Journal of the Association of Therolinguistics.” It starts out wonderfully nerdy and weird, with a scholar’s detailed reporting of the “writings” of an ant as written, using touch-gland exudation, on seeds in an anthill. From there it gets weirder, and more esoteric, until it lands in a place sweeping and unimaginable. It’s one of those stories that did something a story had never done to me before, and because of that, it holds a very special place in my heart.
From dream worlds to nightmare planets, through mazes of madness to tiny time holes in space, down Pathways of Desire to a New Atlantis, The Compass Rose points the way to the wonder-filled mind-country of a remarkable writer.
And speaking of, who better than Le Guin to inspire sci-fi and fantasy stories that are truly unexpected? Dispatches from Anarres, edited by Susan DeFreitas, is an anthology of stories by Northwest authors, all inspired by and in tribute to Le Guin, and the offerings are rich and unique. Like Michelle Ruiz Keil’s poetic war cry of ghost cats in “The Kingdom of the Belly,” Jason LaPier’s fascinating tale of the life of a bee colony—with some of the coolest names I’ve encountered in fantasy—in “Bee, Keeper,” and Stevan Allred’s clever Ib and Nib folk-story interludes. I read much of this book in an ER waiting room as my husband was being examined and then treated for a scary collapsed lung, and the uniqueness of these stories kept me beautifully distracted.
Named for the anarchist utopia in Ursula K. Le Guin's science fiction classic The Dispossessed, Dispatches from Anarres embodies the anarchic spirit of Le Guin's hometown of Portland, Oregon, while paying tribute to her enduring vision.
In stories that range from fantasy to sci fi to realism, some of Portland's most vital voices have come together to celebrate Le Guin's lasting legacy and influence on that most subversive of human faculties: the imagination. Fonda Lee's "Old Souls" explores the role of violence and redemption across time and space; Rachael K. Jones's "The Night Bazaar for Women Turning into Reptiles" touches…
I read Sequoia Nagamatsu’s Where We Go When All We Were is Gone on audiobook, having picked it up knowing nothing about it. The first story opens on a wildlife refuge where experts protect and study… Godzilla. Mothra. And other wonderful monsters of Japanese pop culture. Right then and there, I knew this was going to be a favorite book. Nagamatsu’s stories are nonstop rampant imagination, from the man who can stretch his neck and send his head on long journeys in secrecy via the sewer (!), to the clone child that emerges from an underwater cave—but as much as I can fall in love with a book for its creativity, Where We Go goes deeper, often centering its tales on grief and loss. This short collection is equal parts droll and poignant, fun, and devastating.
"A combination of the mystical, magical, and marvelous, Sequoia Nagamatsu weaves a collection of bold, hysterical, and moving tales into an unforgettable debut. From shape-shifters, to star-makers, to babies made of snow, the characters in WHERE WE GO WHEN ALL WE WERE IS GONE form a community of longing, of the surreal, of wonder. What a joy it is to read each and every story."
I love time travel stories—and Every Anxious Wave is my favorite. What would you do if you discovered your own personal wormhole that would allow you go anywhere, anywhen? Well of course you’d set up shop as an agency that takes clients through time and space to… see their favorite bands play! From this unique premise, Daviau’s novel widens into not only a heck of a musical time-travel good time but also a moving story of human connection. Oh, and some great commentary on climate change to boot. A deceptively deep but thoroughly fun wild ride.
Karl Bender is a good guy whose life lacks love and meaning. When he stumbles upon a time-traveling worm hole, Karl and best friend Wayne develop a business selling access to people who want to travel back in time to listen to their favourite bands. It's a pretty ingenious plan, until Karl, intending to send Wayne to 1980, transports him back to 980 instead. Though Wayne sends texts extolling the quality of life in tenth century "Mannahatta," Karl is distraught that he can't bring his friend back. Enter brilliant, prickly, astrophysicist, Lena Geduldig. Karl and Lena's connection is immediate. While…
Slaughterhouse-Five was the first book I read that showed me that science fiction and fantasy can truly go to unexpected places. I was head-over-heals charmed by Vonnegut’s voice and his unassuming protagonist bouncing around through time and space and nutty adventures—but what an amazing thing: the way Vonnegut worked his sci-fi premise into a masterpiece of satire that, at the bottom of it all, was about the very real firebombing of Dresden in World War II, something he had witnessed first-hand. One of my favorite books of all time.
A special fiftieth anniversary edition of Kurt Vonnegut’s masterpiece, “a desperate, painfully honest attempt to confront the monstrous crimes of the twentieth century” (Time), featuring a new introduction by Kevin Powers, author of the National Book Award finalist The Yellow Birds
Selected by the Modern Library as one of the 100 best novels of all time
Slaughterhouse-Five, an American classic, is one of the world’s great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what he had…
This book is an elegiac meditation on the will to survive. Tor, a beluga whaler, and his wife, Astrid, a botanist specializing in Arctic flora, are stranded during the dark season of 1937-38 at his remote whaling station in the Svalbard archipelago when they misjudge ice conditions and fail to rendezvous with the ship meant to carry them back to their home in southern Norway.
Beyond enduring the Arctic winter’s twenty-four-hour night, the couple must cope with the dangers of polar bears, violent storms, and bitter cold, as well as Astrid’s unexpected pregnancy.
The Last Whaler is an elegiac meditation on the will to survive under extreme conditions. Tor, a beluga whaler, and his wife, Astrid, a botanist specializing in Arctic flora, are stranded during the dark season of 1937-38 at his remote whaling station when they misjudge ice conditions and fail to rendezvous with the ship meant to carry them back to their home in southern Norway. Beyond enduring the Arctic winter's twenty-four-hour night, the couple must cope with the dangers of polar bears, violent storms, and bitter cold as well as Astrid's unexpected pregnancy. The Last Whaler concerns the impact of…
